Bolshoi Ballet - La Sylphide

10 & 11 November 2012

Running time: 2 hours with 1 intermission (approx, subject to change)


Music: Herman Severin LØVENSKIOLD Libretto: Adolphe NOURRIT and Filippo TAGLIONI Choreography: August BOURNONVILLE Production and new choreography: Johan KOBBORG Sets and costumes design: Peter FARMER Lighting designer: Damir ISMAGILOV Music director: tba With the Orchestra of the State Academic Bolshoi Theatre With the Bolshoi soloists and the Bolshoi Corps de Ballet

La Sylphide is one of the world's oldest surviving romantic ballets. August Bournonville's version is an adaptation of an 1832 French ballet of the same name, which showcased the technique of the great 19th-century ballerina Maria Taglioni, and ushered in a new Romantic era of dance. Bournonville was the first choreographer to recreate La Sylphide and it is his version that has survived – it has been performed regularly by the Royal Danish Ballet since its premiere in 1836 and remains one of his most celebrated works. In La Sylphide, the human realm of a small Scottish community – evoked by traditional folk songs in Herman Løvenskiold's score – meets the spiritual realm of the otherworldly sylphs. James, a classic Romantic hero, is utterly bewitched by a beautiful sylph: although he is unable to touch her, he movingly echoes her movements in his. Bournonville placed a greater emphasis on the narrative in his version of the ballet and developed the characters of the embittered witch and James (a role he danced himself). The Royal Ballet’s production is staged by the Danish choreographer Johan Kobborg, himself steeped in the Bournonville style.

In a Scottish manor-house, on the morning of his wedding, James wakes up  that that, ss and that of hifrom a dream to discover  a beautiful winged sylph before him. Entranced by the vision, he attempts to capture her  but she escapes him and vanishes. During the wedding preparations, James hardly notices Effie; instead she is wooed by Gurn whom she ignores. James joins in the preparations but gradually realizes that his dreams go far beyond the walls of the manor-house and that his obsession with the winged creature risks his own happiness and that of his fiancée Effie.


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